William Rothenstein, Alice by the Fireside
(Manchester City Galleries)

After working on volumes Three and Four of the Oxford English Texts edition of Browning I continued to research various aspects of his poetry.   Publications include

“Blougram’s Wager, Guido’s Odds: Browning, Chance and Probability”, Victorian Poetry, 41 (2003), 11–28.

“Browning, Blougram, and the Probability of God”, Studies in Browning and His Circle, 26 (2003), 24–35.

“Robert Browning as Editor: The Posthumous Publication of Elizabeth Barrett Browning”, at the Conference Old Lamps, New-Lit: The Future of Victorian Poetry, London Ontario 2003.

“Browning and Slavery”, Victorian Poetry, 37 (1999), 59–70.

“Browning in the Oxford English Dictionary: A New Approach”, Studies in Philology, 95 (Summer 1998), 169–83.

“Browning, Famine and the Duke of Norfolk’s Curry”, Notes and Queries, n.s. 44 (Sept 1997), 339–40.

“Browning’s Jews”, Victorian Poetry, 35 (1997), 245–65.

“Browning’s Music: The L.L. Bloomfield Collection”, Review of English Studies, n.s. 47 (1996), 35–46.

“Browning and the Pre-Raphaelites”, Victorian Literature and Culture, 23 (1995), 117–45. [Illustrations]

(with Ian Jack and Margaret Smith) The Oxford English Texts Edition of the Poetical Works of Robert Browning, Vol. 4 (Oxford: Clarendon Press, 1991).

“William Rothenstein Reads Browning”, Browning Institute Studies, 18 (1990), 1-14 + frontispiece. [Full paper]

“Browning’s Nudes”, Victorian Poetry, 27 (1989), 29–47.

(with Ian Jack) The Oxford English Texts Edition of the Poetical Works of Robert Browning, Vol. 3 (Oxford: Clarendon Press, 1988).

“Music and Metre: Browning’s Pietro of Abano”, Music and Letters, 57 (1976), 47-54.